Two new Babies in my life!

I have been very excited about all the changes going on in my life and art.  Two new changes and they are big ones happened in the last two weeks! I got now machines for my studio!

First meet Simon le Greed: He is a Singer Confidence Quilter desktop machine for my thread painting.

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Simon Le Greed – he eats up fabric and helps me get my thread paintings  done with less thread breakage and with more consistent stitches!  

 

 

 

 

 

 

Simon came to live  with me last week to replace my little Heavy duty singer 4111 that finally died. It was cheaper to buy a new machine than to take the old singer to  someone here to replace it!

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With new Ott lighting and the computer nearby for inspiration and research, I now have a wonderful work station to begin and work on a myriad of projects. 

My other new baby was a complete surprise and unplanned for now, but she is exactly what I needed and wanted.  Meet Ruby:

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Ruby is an HQ Avante 18″ Long arm machine for my studio that focuses on FMQ and finishing quilt tops for other quilters. 

Ruby was a surprise indeed. I have been wanting a HQ for a long time, but it was not in the cards financially.  Plus, we are in the  process of moving to Bedford, VA where I will be retiring and opening my Studio/Gallery for business there in March 2018. But I got a call from my local Dealer who is required to purchase a new HQ every year as part of her contract, and so I got Ruby (a slightly used floor model with a NEW warranty on her!) at almost 1/2 off her regular price. She is currently in pieces and boxes in my studio basement at home until we can move her to Bedford and get her set up. I am so excited to have her in my life and for all the possibilities that she presents to my future!

 

Create Beauty and fill the World with LOVE!

Wynn

 

 

 

 

 

 

 

 

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Creative Surges that lead to …..????

I’ve been fiercely creative these last few months. It is part of the reason I have not been writing often enough on this blog. Besides the 5″ x 7″ thread paintings I created for the Electric Company, I have created a number of alternate pieces for changing out the art  come January.

 

I  have also done a number of commissioned pieces for collectors and friends.

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A client asked me to do a Red Clover Wall hanging. It is the state flower of Maine, a place almost sacred to her. I was deeply honored to be asked to create this for her
Fall in the Vineyard
Fall in the Vineyard — I created these two Pieces for friends who have a Vineyard in Bedford, VA  and also have a small Cottage they rent out. The countryside is so gorgeous there. I was so pleased they liked these!
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Vineyard Retreat — Also created for my friends in Bedford, VA. I was so happy that they enjoyed these pieces enough to display them in the rental cottage and in their home. 

This series was commissioned as a holiday gift working from the client’s photos.

 

 

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This was also commissioned by the same client as a gift for friends. 

 

 

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HOMESTEAD – 2017 This piece was created based on my oil painting of my parents former home in Bedford, VA.

 

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Something Totally Different… I created this little kimono and obi for one of my neighbor’s daughters who is totally obsessed with anything Japanese these days. The Kimono is made of one piece of fabric complete using the pattern of the fabric to determine the sleeve and the body area. 

 

 

A little Holiday Cheer! (early)

So much is happening in life today. In the process of closing on a cabin/studio/gallery in Bedford, Virginia where I will be relocating by the first of 2018. The Cabin is a lovely handicapped accessible, one-floor cabin to live in. There is a totally separate 800 Sq Ft. companion building beside it that will be a quilting studio and a Gallery for my art quilts.The gallery has been a quilt gallery before. In fact, my mother sold quilts there in the late 80’s. It has also been a garden center, a wine shop, and a fine art gallery. I will be very happy to return it to a full-service quilting studio to complete quilts for other quilt top makers,  as well as opening the gallery to showcase my Art Quilts.

I’ve been accepted into a small gallery collective in Bedford called The Electric Company Art & More. I have a number of my small thread paintings for sale in the gallery there. The Gallery there is also having a Holiday Show featuring works of art for $99.00 and less. I have six (6) 5″ x 7″ Thread Paintings available for sale in that show as well. Here are the works that are currently in the Gallery in Bedford.

 

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Refracted Reflections $ 99.00
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Redbud and Daffodils – $99.00
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Old Barns – $99.00
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Old Grand-Dad – $99.00
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Midnight Big Otter Creek — $99.00
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Mee Maw’s Backyard — $99.00
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Lazy Summer Day — $99.00
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The Knoll – Triptych — $325.00
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Birds and Fences — $99.00
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Country Road — $99.00
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Fences — $99.00
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Autumn Orchard — $99.00
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The North Forty — $99.00
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Virginia Hillside — $99.00

 

 

 

Catching up 10232017

It has been a crazy month here. We have bought a second home, a cabin/studio/gallery for my business Little Old lady Quilting, in my hometown of Bedford, VA. I have been working towards this for a while, but it all happened rather quickly when things lined up.

Besides preparing for the purchase of a new property, I have also been organizing and planning and working towards more inventory for the studio. I have also been creating a number of items for sale at a gallery in Bedford.

I am now a member of The Electric Company Art & More at 207 E. Depot Street in Bedford, VA. 24523. How that fam about is a funny story. I had intended to enter some pieces of art into their annual holiday Art4Gifts show. Everything in the show must be priced $99.00 or less. Since so much of my quilting work is large and time-consuming, I knew I would have to especially create something for this show.

I began to make a series I called “The Bedford Paintings” – six small 5″ x 7″ Thread Paintings based on my original artwork of the Blue Ridge Mountains. As I made the pieces, I posted the process and the finished works on my Facebook page. I was suddenly selling them as fast I could make them. Thre of the six I sold immediately and had to remake copies of them for the show in Bedford. Since I was moving them and had a good response I decided to prepare a larger number of them to have ready when I needed them. I prepped 18 of them with images and the fabric underlay I do to have them ready.

Since Mike and I were taking a long weekend Columbus day weekend to go to Bedford and look at a property, I took the six I had prepared for the Art4Gifts show along with 2 extra thread paintings with me to show the gallery to see if they would accept them for the upcoming holiday show.

 

Small Works Holiday show 2017
The original six

 

Redbud and Daffodils 2017
Plus REDBUDS AND DAFFODILS

 

 

 

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also REFRACTED REFLECTIONS

 

My thought was being in the show was a good way to get my name and my artwork known in the Bedford community before we moved there. But what happened was that the Gallery coordinators were so excited about my work that they convinced me to join the gallery as a full member and hang my work right then for display and sell in the gallry. I agreed and actually signed a  year+ gallery contract for them to represent me in Bedford.

Since they took all eight of the works I had taken with me, when I got back home to Burke, I now had to create six more for the Art4gifts show coming up. Luckily I had prepped the 18  so It was a matter of finishing the thread painting, and labeling and framing them, and getting them in the post to the Gallery in time for the Oct 21 deadline.

The Six additional paintings for Art4Gifts – November 1 – Dec 23, 2017, at The Electric Company Art & More. $99.00 each

At the same time, I got a commission for two pieces for a small show in November for the Reston Community. PLUS I got a five-item commission (from photos the client provided) to create for a Christmas presents for her husband commemorating a holiday trip they had taken together…. Photos to come after she has gifted him over Christmas. I was very pleased with how the came out!

Another Client Commissioned me to do a small 8″ x 8″ Wall hanging for her of a Red Clover plant — one of her favorite plants and the state flower of Vermont, her home state.  Here is the finished piece.

 

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Red Clover – Private collection of Christina Harrigan.

 

I have finally finished all that work. We have a ratified contract on the Cabin/ Studio/Gallery. There is much work to be done on the property. But, I have a gorgeous Studio workspace to create more beauty, and a lovely Gallery space to display and sell my work along with the work of others I deem fits the concept I have of a gallery focused on the crafts and the landscape of the Blue Ridge and Shenandoah Valley.

I am also working on some larger works that can hang on the walls. My goal is to have a number of large tapestries and small thread paintings ready to sell when we close on the property in December.

 

Create Beauty and fill the World with LOVE!

Wynn

 

 

 

Creating Works on Demand

I am in the process of relocating to y hometown of Bedford, VA. Bedford is a beautiful small town located it the Blue Ridge Mountains of Virgina, between Lynchburg, and Roanoke. Ove the last 30 years or so it has changed from a poor redneck little town to an artist community with a lot of retirees and others moving there for the quality of life it offers at an affordable price.

I am moving there both to be closer to my younger sister as we get older so  we can take care o  each other if/when we end up alone, and ALSO because I have the chance to purchase a lovely Cabin/Studio/Gallery  on the mountain where I can live and work and sell my art quilts and other things to make a little income for the rest of my life and can afford to live comfortably there.

One of the galleries there (The Electric Company) has a call to artist to submit works for their holiday show. Nothing may be priced above $99.99. I figure it was a good way for me to produce some small works that I can work on my technique with, and that, if they do not sell for this show, then I will have them for my gallery in Bedford after I move. My original Idea was that this was a great way to introduce my work to people in Bedford.

I began by using photos of my many oil paintings created from my emotional memories of growing up in Virginia.

Wynn Creasy Fine Art, Fine Art in Landscapes and Abstracts in Oils and Pastels
Redbuds and Daffoldils – 2006 SOLD private collector.

 

I create the images by first using Susan Carlson’s glue techniques to give me layers of fabric color for guidance of the piece. Then working from the back to the front of the image I added thread details and overpainting to give me layers of color.

 

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Here you can see the bones of the landscape, but not much else. Most of the colors seen will be completely painted over and changed by the completion of the artwork. 

 

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I created six small 5″ x 7″ Quilted Thread Paintings that I framed in ready-made 5 x 7 Frames I had on hand already.

 

Surprising even myself, I have already sold 4 of these small works and the show they were originally created for will not happen until December!!! The response has been terrific.  I think it is a combination fo the price point, and the artwork is beautiful and intriguing…

 

 

Birds and Fences 2017
Birds and Fences -SOLD
country road SOLD
Country Road – Sold
Fences
Fences
Holding Back The Dawn
Holding Back the Dawn
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Autumn Orchard
Midnight- Big Otter Creek
Midnight – Big Otter Creek

 

Create Beauty and fill the World with LOVE!

Wynn

 

Virginia Wildflower Tapestry – Golden Lady Slipper Orchid

This was the last panel of five or the Virginia Wildflower Tapestry. It also as probably the one the scared me most. I had no idea how I was going to get the 3-d effect I wanted and still maintain a sense of whimsy and joy that I had found in the other panels.

 

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Like the others, the Lady Slipper Orchid began life w a encl sketch on a plain muslin Background. I sometimes forget and take for granted the gift I have for sketching. Ever since I was a child, I have drawn and painted. I am aware that I have a gift for distilling an image down to its barest form. Sometimes it can come across cartoonish, but my objective is to make one see the bones of an object, more than to create a realism based painting or fabric art piece.
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Here, after applying the background fabric to imply leaves and shadows, I quilted it lightly to provide more variety and texture. Then began by adding 3-d Leaves for the orchid Plant.
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Working from the plant roots upward I added stems, then created a fabric ballon for the Lady Slipper Blossom. I used stitching and fabric paint to add more color and texture to the petals of the blossom. 
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I had originally intended to use only one Lady Slipper but the panel needed balance, so I created two more blossoms in various degrees of unfolding. The finished panel will also have macrame and woven roots connecting it to the rest of the Tapestry panel.

I am very happy with this work. I had to redo the background of the tapestry because the original background was too dark and too formal. I wanted more joy in the colors and in the spontaneity of it.

 

 

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Virginia Wildflower Tapestry Continued

The best-laid plans of mice and men…  I fully intended to be writing in this blog on a daily basis. At least, on a weekly basis. But it seems I have been spending all my time creating and not really posting the processes I am going through.

I am about to make a trip to Bedford, VA. This is my hometown. I’ve been away for almost 40 years. I am in the process of buying a wonderful little cabin to live and work as an artist for the rest of my life.

 

of course, there is a little anxiousness, as well as the excitement of a new adventure.And so I am trying to catch up on my blogging to let you see all I have been creating. So here is the rest of the information on the Virginia Wildflower Tapestry,  as well as a new blog on the SMALLS that I have been creating for galleries and for inventory of the new studio/gallery in Bedford.

 

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The Violet began as a pencil sketch on muslin.

The Violets

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I created a paper template for the 3 parts of the petals
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Ater stitching around the edges of the pattern pieces for stability and texture, I then used permanent ink fabric pens to paint the petals and add details.
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Each of the Violets is assembled in layers and then stitched to hold the centers together but allow the petals to have the freedom to move.
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VAriety in size and in colors is important for me!
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here you see them as they are laid out on the background of batiks I chose for liveliness and movement behind the Violets. 
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And here is the final panel with the thread painting and the texturing before the binding I put on and it is added to the Tapestry.

 

Virginia Wildflower Tapestry – Virginia Bluebells

If you are a native of Virginia, then like me you probably love those few weeks in late April and May when the Wild Virginia Bluebells carpet those forgotten places in the woods of the hills and mountains. They have long been one of my favorite flowers. When choosing what flowers to include in my Virginia Wildflower Tapestry there was no question these would be there.

 

 

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I started with a simple sketch of a woodland scene with the bluebells carpeting the ground under the canopy of the trees.  
Bluebelles Sketch
Using my trusty Sharpies I played with color fields, light patterns, and texture variety ideas. 
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Once  I was happy with the sketch and color choices I picked fabrics for my tapestry panel. I had chosen most of the fabrics I  would use for this tapestry ahead of time in order to keep some sense of uniformity and cohesion to the whole.
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Working from the distant back ( top) forward to the near flowers ( bottom) I created the canopy of leaves first, mixing colors values to achieve a sense of the light play in the treetops. 

 

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Highlighting the shafts of sunlight that cut through the woods, I used a lovely bright yellow batik fabric with shades of blue and green in it. I snipped the fabric into a confetti and sprinkled it onto a prepared surface of Aileen’s tacky glue. I did the same thing with the mixed blue fabrics I had chosen for the Bluebells. Then I added the trunks of the trees.

 

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A Close-up of the thread painting and the sapling trees created by the needlework; plus the trunks of the trees also texturized with thread painting and fabric paint.

 

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The finished panel — Virginia Bluebells — #3 of 5 in The Virginia Wildflower Tapestry. 

 

 

 

 

Create Beauty and fill the World with LOVE!

Wynn

Day 4: Jack-in-the-Pulpit

Creating Jack was indirectly inspired by the work of Velda Newman and her gigantic 3-d flower quilts. I can not quite explain it,  but seeing her work freed me to do whatever I wanted to do and call it Art Quilting.

My original sketch was simple. I wanted the flower to dominate, but NOT by being so different from the background that it was obvious. In nature, wildflowers tend to be subtle and hidden from plain sight.

 

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Jack-in-the-Pulpit – My favorite Carnivore.
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I create the two-toned background from two different Batik fabrics that were snipped and laid out to give a sense of light and dark in the ver growth behind the Orchid, and the sense of dried leaves and mulch under the flower. 
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Not having a clue what I was doing… I experimented with different ways to create a 3-D flower petal to which I could add texture and color with thread painting. 
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Here I let the thread painting guide me for shape and texture.
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A little hand stitching and I have the beginning of a lovely flower head.  I ended up adding fabric paint for MORE detail and color variations.
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The leaves and the stems were appliqued to the background and more definition achieved with embroidery, quilting and fabric paints.  Weeds and grasses were added to the background and mulch using cut-outs and thread painting.
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Here Jack is almost ready for his close-up. I will be adding some beading for his stamen.
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Panel # 2 of 5: Jack-in-the-Pulpit ready to join the family of Virginia Wildflowers

 

Day 3 -Virginia Wildflowers Tapestry

I had given myself a goal for this year to create a new work every two weeks. Part of this is that I realized that in order to create quality work I must produce a larger body of work. Not everything is going to be a masterpiece. But the more I produce the more I will have quality. AND I learn and improve my technique by quickly having to solve new problems.

I actually took three weeks to make this piece. And to tell the truth, at the beginning of week three I was really beating myself up that I had not completed this one piece IN my allotted time. But then I realized that In making this piece was not making ONE tapestry; I was making five completely different individual works of art that could stand alone and would be combining them into a single large wall hanging. (So technically, I am  AHEAD of my scheduled goal of a new piece every week! BIG SMILE!)

 

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The basic color layout was done using sharpies for color and under coloring.  I use the Sharpies because they give an under-coloring that guides me in my fabric selection and in shape and texture. Using a combination of Susan Carlson’s quilting techniques using glue for the first layers — having the under-color helps also avoid glaring white of muslin showing through pieces that may not quite touch.  
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I began the fabric process by working from the back to the front. Using a mixed Batik background that gives the effect of the growth and shadows behind the rare Giant Red/Green Trillium, and a different orange mixed Batik that gave me a sense of the debris and the mulch that was underneath the flower. I then pieced the large flat leaves of the flower shape using a deep green mottled fabric for texture and color. 
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The Trillium blossom was created using several different fabrics which were cut, sewn, quilting and colored for effect.

 

 

 

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The main blossom measures 8″ across — quite an exaggeration of this misnamed “Giant” flower.”

 

 

 

 

 

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here you can see the blossom beginning to take shape, the stitching helps to give it a 3-d body as well as defining the blossom itself.

 

 

 

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Here the panel is almost complete. I have since added another large 3-D Green Leaf to the center of the plant to give it more depth.  After the entire tapestry is finished, there are crystal and bead embellishments for stamens and pistils, and waterdrops to add, as well. Handwork is the final step.

I have learned a lot in this process, and I have enjoyed the work immensely. Next up… Panel # 2: Jack-in-the-Pulpit!

 

Create Beauty and fill the world with LOVE!

Wynn