Creating Works on Demand

I am in the process of relocating to y hometown of Bedford, VA. Bedford is a beautiful small town located it the Blue Ridge Mountains of Virgina, between Lynchburg, and Roanoke. Ove the last 30 years or so it has changed from a poor redneck little town to an artist community with a lot of retirees and others moving there for the quality of life it offers at an affordable price.

I am moving there both to be closer to my younger sister as we get older so  we can take care o  each other if/when we end up alone, and ALSO because I have the chance to purchase a lovely Cabin/Studio/Gallery  on the mountain where I can live and work and sell my art quilts and other things to make a little income for the rest of my life and can afford to live comfortably there.

One of the galleries there (The Electric Company) has a call to artist to submit works for their holiday show. Nothing may be priced above $99.99. I figure it was a good way for me to produce some small works that I can work on my technique with, and that, if they do not sell for this show, then I will have them for my gallery in Bedford after I move. My original Idea was that this was a great way to introduce my work to people in Bedford.

I began by using photos of my many oil paintings created from my emotional memories of growing up in Virginia.

Wynn Creasy Fine Art, Fine Art in Landscapes and Abstracts in Oils and Pastels
Redbuds and Daffoldils – 2006 SOLD private collector.

 

I create the images by first using Susan Carlson’s glue techniques to give me layers of fabric color for guidance of the piece. Then working from the back to the front of the image I added thread details and overpainting to give me layers of color.

 

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Here you can see the bones of the landscape, but not much else. Most of the colors seen will be completely painted over and changed by the completion of the artwork. 

 

Redbud and Daffodils 2017
I created six small 5″ x 7″ Quilted Thread Paintings that I framed in ready-made 5 x 7 Frames I had on hand already.

 

Surprising even myself, I have already sold 4 of these small works and the show they were originally created for will not happen until December!!! The response has been terrific.  I think it is a combination fo the price point, and the artwork is beautiful and intriguing…

 

 

Birds and Fences 2017
Birds and Fences -SOLD
country road SOLD
Country Road – Sold
Fences
Fences
Holding Back The Dawn
Holding Back the Dawn
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Autumn Orchard
Midnight- Big Otter Creek
Midnight – Big Otter Creek

 

Create Beauty and fill the World with LOVE!

Wynn

 

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Virginia Wildflower Tapestry – Golden Lady Slipper Orchid

This was the last panel of five or the Virginia Wildflower Tapestry. It also as probably the one the scared me most. I had no idea how I was going to get the 3-d effect I wanted and still maintain a sense of whimsy and joy that I had found in the other panels.

 

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Like the others, the Lady Slipper Orchid began life w a encl sketch on a plain muslin Background. I sometimes forget and take for granted the gift I have for sketching. Ever since I was a child, I have drawn and painted. I am aware that I have a gift for distilling an image down to its barest form. Sometimes it can come across cartoonish, but my objective is to make one see the bones of an object, more than to create a realism based painting or fabric art piece.
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Here, after applying the background fabric to imply leaves and shadows, I quilted it lightly to provide more variety and texture. Then began by adding 3-d Leaves for the orchid Plant.
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Working from the plant roots upward I added stems, then created a fabric ballon for the Lady Slipper Blossom. I used stitching and fabric paint to add more color and texture to the petals of the blossom. 
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I had originally intended to use only one Lady Slipper but the panel needed balance, so I created two more blossoms in various degrees of unfolding. The finished panel will also have macrame and woven roots connecting it to the rest of the Tapestry panel.

I am very happy with this work. I had to redo the background of the tapestry because the original background was too dark and too formal. I wanted more joy in the colors and in the spontaneity of it.

 

 

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Virginia Wildflower Tapestry Continued

The best-laid plans of mice and men…  I fully intended to be writing in this blog on a daily basis. At least, on a weekly basis. But it seems I have been spending all my time creating and not really posting the processes I am going through.

I am about to make a trip to Bedford, VA. This is my hometown. I’ve been away for almost 40 years. I am in the process of buying a wonderful little cabin to live and work as an artist for the rest of my life.

 

of course, there is a little anxiousness, as well as the excitement of a new adventure.And so I am trying to catch up on my blogging to let you see all I have been creating. So here is the rest of the information on the Virginia Wildflower Tapestry,  as well as a new blog on the SMALLS that I have been creating for galleries and for inventory of the new studio/gallery in Bedford.

 

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The Violet began as a pencil sketch on muslin.

The Violets

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I created a paper template for the 3 parts of the petals
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Ater stitching around the edges of the pattern pieces for stability and texture, I then used permanent ink fabric pens to paint the petals and add details.
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Each of the Violets is assembled in layers and then stitched to hold the centers together but allow the petals to have the freedom to move.
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VAriety in size and in colors is important for me!
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here you see them as they are laid out on the background of batiks I chose for liveliness and movement behind the Violets. 
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And here is the final panel with the thread painting and the texturing before the binding I put on and it is added to the Tapestry.

 

Virginia Wildflower Tapestry – Virginia Bluebells

If you are a native of Virginia, then like me you probably love those few weeks in late April and May when the Wild Virginia Bluebells carpet those forgotten places in the woods of the hills and mountains. They have long been one of my favorite flowers. When choosing what flowers to include in my Virginia Wildflower Tapestry there was no question these would be there.

 

 

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I started with a simple sketch of a woodland scene with the bluebells carpeting the ground under the canopy of the trees.  
Bluebelles Sketch
Using my trusty Sharpies I played with color fields, light patterns, and texture variety ideas. 
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Once  I was happy with the sketch and color choices I picked fabrics for my tapestry panel. I had chosen most of the fabrics I  would use for this tapestry ahead of time in order to keep some sense of uniformity and cohesion to the whole.
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Working from the distant back ( top) forward to the near flowers ( bottom) I created the canopy of leaves first, mixing colors values to achieve a sense of the light play in the treetops. 

 

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Highlighting the shafts of sunlight that cut through the woods, I used a lovely bright yellow batik fabric with shades of blue and green in it. I snipped the fabric into a confetti and sprinkled it onto a prepared surface of Aileen’s tacky glue. I did the same thing with the mixed blue fabrics I had chosen for the Bluebells. Then I added the trunks of the trees.

 

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A Close-up of the thread painting and the sapling trees created by the needlework; plus the trunks of the trees also texturized with thread painting and fabric paint.

 

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The finished panel — Virginia Bluebells — #3 of 5 in The Virginia Wildflower Tapestry. 

 

 

 

 

Create Beauty and fill the World with LOVE!

Wynn

Day 4: Jack-in-the-Pulpit

Creating Jack was indirectly inspired by the work of Velda Newman and her gigantic 3-d flower quilts. I can not quite explain it,  but seeing her work freed me to do whatever I wanted to do and call it Art Quilting.

My original sketch was simple. I wanted the flower to dominate, but NOT by being so different from the background that it was obvious. In nature, wildflowers tend to be subtle and hidden from plain sight.

 

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Jack-in-the-Pulpit – My favorite Carnivore.
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I create the two-toned background from two different Batik fabrics that were snipped and laid out to give a sense of light and dark in the ver growth behind the Orchid, and the sense of dried leaves and mulch under the flower. 
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Not having a clue what I was doing… I experimented with different ways to create a 3-D flower petal to which I could add texture and color with thread painting. 
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Here I let the thread painting guide me for shape and texture.
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A little hand stitching and I have the beginning of a lovely flower head.  I ended up adding fabric paint for MORE detail and color variations.
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The leaves and the stems were appliqued to the background and more definition achieved with embroidery, quilting and fabric paints.  Weeds and grasses were added to the background and mulch using cut-outs and thread painting.
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Here Jack is almost ready for his close-up. I will be adding some beading for his stamen.
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Panel # 2 of 5: Jack-in-the-Pulpit ready to join the family of Virginia Wildflowers

 

Day 3 -Virginia Wildflowers Tapestry

I had given myself a goal for this year to create a new work every two weeks. Part of this is that I realized that in order to create quality work I must produce a larger body of work. Not everything is going to be a masterpiece. But the more I produce the more I will have quality. AND I learn and improve my technique by quickly having to solve new problems.

I actually took three weeks to make this piece. And to tell the truth, at the beginning of week three I was really beating myself up that I had not completed this one piece IN my allotted time. But then I realized that In making this piece was not making ONE tapestry; I was making five completely different individual works of art that could stand alone and would be combining them into a single large wall hanging. (So technically, I am  AHEAD of my scheduled goal of a new piece every week! BIG SMILE!)

 

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The basic color layout was done using sharpies for color and under coloring.  I use the Sharpies because they give an under-coloring that guides me in my fabric selection and in shape and texture. Using a combination of Susan Carlson’s quilting techniques using glue for the first layers — having the under-color helps also avoid glaring white of muslin showing through pieces that may not quite touch.  
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I began the fabric process by working from the back to the front. Using a mixed Batik background that gives the effect of the growth and shadows behind the rare Giant Red/Green Trillium, and a different orange mixed Batik that gave me a sense of the debris and the mulch that was underneath the flower. I then pieced the large flat leaves of the flower shape using a deep green mottled fabric for texture and color. 
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The Trillium blossom was created using several different fabrics which were cut, sewn, quilting and colored for effect.

 

 

 

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The main blossom measures 8″ across — quite an exaggeration of this misnamed “Giant” flower.”

 

 

 

 

 

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here you can see the blossom beginning to take shape, the stitching helps to give it a 3-d body as well as defining the blossom itself.

 

 

 

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Here the panel is almost complete. I have since added another large 3-D Green Leaf to the center of the plant to give it more depth.  After the entire tapestry is finished, there are crystal and bead embellishments for stamens and pistils, and waterdrops to add, as well. Handwork is the final step.

I have learned a lot in this process, and I have enjoyed the work immensely. Next up… Panel # 2: Jack-in-the-Pulpit!

 

Create Beauty and fill the world with LOVE!

Wynn

Step Two – Virginia Wildflowers Tapestry

Coming at my quilting as I have from a painters perspective, it is often the first steps that excite my creative juices and gets me thinking outside the box — drawing and color choices. In my last Blog post, I showed the single long sketch idea that started this process for me, and then the individual pieces as they were organically cut apart and readied to begin the work on each one.

My next step in this process is to come up with a color scheme. Not only for each of the panels for in a way that connects the piece as a whole. Using nature as a guide line  (very loosely, I might add) for plant color, I juxtapose colors for unity, for conflict, for emotional response. I use Sharpies to paint in the color ideas I have. These are not set in stone but are guides. I tend to choose fabric along the color lines but the intensity and the textures can change at any time.

 

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Giant Red/Green Trillium

 

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The Violets

 

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Lady Slipper Orchids

 

 

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Jack-in-the-Pulpit

 

 

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Virginia Bluebells

 

You can see from these colorized sketches that I use a very liberal connection with natures colors. As both a painter and an art quilter I love pushing color boundaries.

After I have worked out my color schemes come the fun part of picking fabrics! Even as organized as I am this can be a bit of a messy process! But I love to see fabrics against each other and play with their individual color in light and dark and how they respond next to each other.

 

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Piles everywhere!

 

 

 

 

 

 

 

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Here you see the design wall with the (close to) final fabric selections.

 

Now the creative and disciplined part really begins: chop and glue!

 

Create Beauty and fill the World with LOVE!

Wynn

 

Virginia Wildflowers

IMG_1406I began a new Wall tapestry this week. I have been playing with new quilting techniques inspired by Susan Carlson’s large glued wall quilts. I also recently saw some quilts by Velda Neuman that just blew me away.

We have had a long, tough year here. I have been dreaming of quilting. Last year I began the process of business planning to create a studio business for myself finishing quilting for other quilt top piecers. My original intention was to invest in a long arm machine and set up shop full time as a quilter. I live in an area with a lot of high-income-family quilters who, as one Quilt store owner told me when I was discussing my plans, “Quilt with their pocketbooks.” they love to make tops, they don’t mind paying to have them finished for them. I belong to one quilter’s quilt that has about 300 members. Many of them pay to have their quilts finished.

I rented time on a long arm machine and I love the process of quilting. I actually love quilting and finishing other peoples tops MORE than I liked piecing quilt tops. (Which is VERY different from how I feel about creating one of a kind art quilts!)

In the mean time, life took over. I spent three months driving my partner back and forth to Baltimore for cancer treatments. ( thank god he is doing fine now!) I came to grips with my own health issues — primarily a strange disease called D.I.S.H. that calcifies all my tendons and ligaments where they connect at my spine and turns them into bone, along with cervical and lumbar stenosis of the spine that makes standing and walking for long periods of time incredibly painful. All of which makes standing and working at a long-arm-machine for a job impractical.

BUT! I am ready to make some serious changes in both my life and in my living. I am in the process of relocating to Bedford, VA. where I was born.  I intend to open a studio gallery there and to sell my own art quilt works, as well as do quilting for other piece-makers. I am looking at investing in a sit-down long arm machine instead. I seem to be able to work for long periods of time seated and not have the strain on my back for now. ( I am currently doing all my quilting on a little Heavy Duty Singer machine 4011 with a 6″ neck…!!!!)  In that mode, I am focused these days on creating pieces for a body of work that is professional quality and unified in my own style of “painting” with fabric. I am focused on creating art pieces not that are based on my own sketches from nature and on my oil landscapes which are all paintings of my sense of place in the Blue Ridge Mountains of western Virginia.

In that mode, I am focused these days on creating pieces for a body of work that is professional quality and unified in my own style of “painting” with fabric. I am focused on creating art pieces now that are based on my own sketches from nature and on my oil landscapes which are all paintings of my sense of place in the Blue Ridge Mountains of western Virginia.

Bedford VA is a beautiful little town somewhat lost in time in the Blue RidgeMountains. It has become a bit of a tourist destination due to the National D-day Memorial there. (Bedford County lost the highest per capita number of young men in the nation at the D-day invasion of Normandy.) There is also the Smith Mountain Lake area of Bedford that is a resort/ retirement destination for many who love on the water.

Bedford is a Designated Main Street Town, it is part of the Virginia Artisan Trail, and it hosts numerous arts and community associations and events for all.

Because of this, and the incredible beauty of the area, I have always longed to return there in my soul. Almost all of my oil paintings were based on remembered visions and feelings of the time I grew up in that idyllic area. The colors, the emotional response to the landscape and to nature there have always held a fascination for me. And so art quilt work is beginning to reflect that desire and to prepare for a market here as well. Thus the new wall hanging Virginia WildFlowers.

Virginia Wildflowers is a piece composed of 5 different wildflower panels of plants native to Virginia: The Giant Red/Green Trillium, Ladyslipper Orchids, Purple Violets, the carnivorous Jack-in-the-Pulpit, and my favorite wild Virginia Bluebells. The finished piece will measure approximately 30″ x  60″  depending on how the separate panels are connected. I have designed the panels to have organic shapes and to have visual interest with cut outs and with texture from quilting and from 3-d flowers and bead ornaments. I am very excited about the project. I am going to walk you through the development of these. Here are the original sketches on muslin ready for the process to begin.

 

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Giant Red/Green Trillium
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Yellow LadySlipper O
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Purple Violets
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Jack-in-the-Pulpit
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Virginia Bluebells in a Wood

 

 

 

 

Back to the Land of the Living!

It has been a rough year. Last year my best friend in the world died. I was her caretaker for the last few months. Watching her give up on life and let go was so painful and yet, so necessary for her. She made it to her 80th birthday; a mile stone she really wanted to achieve. Then in mid-summer, Jane died the day after my birthday, a time we had always celebrated together. I was devastated by the loss of that deep friendship that has sustained me through so much of the last 15 years. It was one of the only truly deep and spiritual soul friendships I have ever had.

Then my partner was diagnosed with prostate cancer at Thanksgiving. We went into fight mode and spent the first 4 months of this year actively engaged in warfare. Daily trips to and from Baltimore from Northern Virginia for Radiation treatments; a strict diet regime; rest whenever possible. It was exhausting for me and I was only driving and caretaking. I can hardly imagine what it was like for Mike. But the good news is his prognosis is great and he is doing very well now.

I have been struggling for a few years with my own body. I have several degenerative bone issues. (No one can have just ONE can they???) in the past 5 years, I have had both my hips fully replaced. the miracle of science allows me to walk now. But the expense of necessary major surgeries when you do not have insurance is overwhelming. I have now been diagnosed with Lumbar stenosis and cervical stenosis. These diseases apparently are caused by bone spurs growing inside my spinal column and putting pressure against my spine, making it painful for me to walk, or bend, or lift anything, or stand for long periods of time right now.  I as well have a strange disease called D.I. S.H. which causes all my ligaments and my tendons that connect to the spine to calcify and become bone… which is painful and is reducing my flexibility. Major surgery for the Lumbar stenosis is prescribed.. but at a starting fee of $115.502 for the surgeon alone, that is not an option. I can control the pain with strong doses of steroids and some pain medication, which is allowing me to slowly get my life back.

The depression from all of this has had me in meltdown for most of the year. I can hardly believe it is September already. All of that is to say I am sorry I have neglected to write and to post here. Except for the rag quilt I started in January and finally finished in April, and a couple of American Heroes Quilts I quilted and finished for that charity, I have done nothing in the way of sewing or promoting my business until this week.

The good news is that finally I am waking up and becoming real again. I have spent time working with a coach and I have again focused on building my business for myself and on creating art again.

This week I will be sharing with you the process I am following to create a series wall piece that is based on the wild flowers of Virginia. I am in the process of aligning things to relocate to my home town of Bedford, VA. There I will have a gallery and a studio space for my own work and to finish quilts for others.

More on that to come.

Create Beauty and fill the World with LOVE!

 

Making a mess for fun

I haven’t had much time to sew what with trips to Baltimore daily for cancer treatments for my honey, and my own health issues. But I decided to try something “fun” and not worry about the outcome. Of course, if you know me… that is easier said than done. I am a bit of a control freak when it comes to creating.

So I had these 5″ charm packs of rustic homespun red and tan fabric and I decided to make a rag quilt. Something I have never done, and not really thought about. (And honestly, don’t know if I have ever SEEN one in person… lol )

I had no idea the amount of time and effort it takes to create each of those 180 squares, stitch them, then figure out a layout, combine them… not to mentions the time to snip all the edges and then fluff for days until it has the natural look!!!!

So far… I have gotten the squares put together and begun the layout process… more later!

Create Beauty and fill the World with LOVE!

Wynn